Catch us 4 times a day most weekends at the Minnesota Renaissance Festival, or Tuesday evening practice at the Tapestry Folk Dance Center. We're always looking for new knees, so experienced dancers are welcome. Apprentice classes are taught starting in January. Contact the Foreman for details.
Contact the Squire for price and availability.
The Squire
The Foreman
The Bagman
The Ragman
Festivus (Renaissance Festival Coordinator)
The Fool
Hobby Horse
Betty
Webmaster
FounderThey capered as high off the ground as that table, always as high as they could. Then the sweat ran down their faces.
- Mr. Franklin, Field Town
In jumping, start off both feet and keep them touching side by side when they come to the ground.
- Mr. Harry Taylor, Longborough
Above all, the performers must be infected with the true spirit of the dance. The Morris is something more than a severe, cold, unemotional dance, even if it cannot justly be called a merry, exuberant one. The movements, though forceful, masculine and strong, must nevertheless be easily and gracefully executed, with restraint, too, and dignity, and even solemnity at times. The ability to do this is not easily acquired. Grace and strength are qualities not usually associate together, nor easily combined in the proper proportion. The dancer must have complete control over his limbs, and attain a balance and supple poise of body which the tyro cannot expect to acquire until, after prolonged practice, the coordinated movements of arms, body and feet have become automatic.
- Cecil Sharp in "The Morris Book, Part I," published in 1912, pages 43-44.